In The Visible Invisible Deborah Williams challenges the sentimentality often associated with images of dogs. By presenting the animal as a unique being with its own reflection, Williams sheds light on unseen aspects of the canine experience portraying it as a complex individual.

Frequenting Queenscliff over many years, the works by Deborah in The Visible Invisible exhibition have been executed with the artist’s specialised printmaking methods including spit bite, engraving, aquatint, roulette, soft ground and hard ground etching.